{"id":523,"date":"2022-03-10T08:41:09","date_gmt":"2022-03-10T08:41:09","guid":{"rendered":"https:\/\/beatriz-freire.com\/bio-copy\/"},"modified":"2026-03-05T11:41:25","modified_gmt":"2026-03-05T11:41:25","slug":"bio-v2","status":"publish","type":"page","link":"https:\/\/beatriz-freire.com\/en\/bio-v2\/","title":{"rendered":"BIO"},"content":{"rendered":"\n\t\t<div id=\"fws_69e635b3cebdd\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row full-width-content vc_row-o-equal-height vc_row-flex vc_row-o-content-top  right_padding_6pct left_padding_6pct top_padding_tablet_20pct bottom_padding_tablet_10pct right_padding_tablet_20pct right_padding_phone_6pct left_padding_tablet_20pct left_padding_phone_6pct\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-overlay=\"false\"><div class=\"inner-wrap\"><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div style=\"margin-top: 5%; \" class=\"vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding el_spacing_0px inherit_tablet inherit_phone \"  data-padding-pos=\"left\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div class=\"nectar-text-inline-images nectar-link-underline-effect font_size_desktop_1-2vw nectar-text-inline-images--animation_none font_line_height_1-7\"><div class=\"nectar-text-inline-images__inner\">Beatriz Freire (Portugal) artista visual e t\u00eaxtil.<\/div><\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"team\"  data-column-margin=\"default\" data-midnight=\"dark\" data-top-percent=\"5%\" data-bottom-percent=\"5%\"  class=\"wpb_row vc_row-fluid vc_row full-width-content vc_row-o-equal-height vc_row-flex vc_row-o-content-top  right_padding_6pct left_padding_6pct top_padding_tablet_10pct bottom_padding_tablet_10pct\"  style=\"padding-top: calc(100vw * 0.05); padding-bottom: calc(100vw * 0.05); \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-overlay=\"false\"><div class=\"inner-wrap\"><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-8 wpb_column column_container vc_column_container col nectar-sticky-column-css has-animation no-extra-padding inherit_tablet inherit_phone \"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"fade-in-from-bottom\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div class=\"nectar-text-inline-images nectar-link-underline-effect font_size_desktop_1-2vw nectar-text-inline-images--animation_none font_line_height_1-7\"><div class=\"nectar-text-inline-images__inner\">A minha pr\u00e1tica art\u00edstica nasce da dificuldade de compreender e expressar o mundo apenas com palavras. Embora a escrita continue a ser uma ferramenta que me acompanha, uso a tecelagem como sistema de pensamento e linguagem expandida para traduzir c\u00f3digos, ritmos e estruturas invis\u00edveis para um plano sens\u00edvel. O meu trabalho \u00e9 processual e translingu\u00edstico, baseado em tradu\u00e7\u00e3o, repeti\u00e7\u00e3o, erro e desgaste. Crio objetos e tecidos concretos, mas o seu valor reside tanto no processo como no resultado: s\u00e3o vest\u00edgios ativos do pensamento, mediadores entre experi\u00eancia sens\u00edvel, mundo invis\u00edvel e mundo material. Procuro tornar vis\u00edvel o que normalmente n\u00e3o se v\u00ea e habitar o mundo de forma simultaneamente intelig\u00edvel, sens\u00edvel e material.<\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<\/div><\/div><div id=\"fws_69e635b3cefb2\" data-midnight=\"\" data-column-margin=\"default\" class=\"wpb_row vc_row-fluid vc_row inner_row  right_padding_8pct left_padding_8pct right_padding_phone_0px left_padding_phone_0px\"  style=\"\"><div class=\"row-bg-wrap\"> <div class=\"row-bg\" ><\/div> <\/div><div class=\"row_col_wrap_12_inner col span_12  left\">\n\t<div  class=\"vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone \"   data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div class=\"divider-wrap\" data-alignment=\"default\"><div style=\"padding-top: 17.5px; padding-bottom: 17.5px;\"  class=\"divider-vertical nectar-bg-black\"><\/div><\/div>\n\t\t<\/div> \n\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"team\"  data-column-margin=\"default\" data-midnight=\"dark\" data-top-percent=\"2%\" data-bottom-percent=\"3%\"  class=\"wpb_row vc_row-fluid vc_row full-width-content vc_row-o-equal-height vc_row-flex vc_row-o-content-top  right_padding_6pct left_padding_6pct top_padding_tablet_10pct bottom_padding_tablet_10pct\"  style=\"padding-top: calc(100vw * 0.02); padding-bottom: calc(100vw * 0.03); \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-overlay=\"false\"><div class=\"inner-wrap\"><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-8 wpb_column column_container vc_column_container col nectar-sticky-column-css has-animation no-extra-padding inherit_tablet inherit_phone \"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"fade-in-from-bottom\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div class=\"nectar-text-inline-images nectar-link-underline-effect font_size_desktop_1-2vw nectar-text-inline-images--animation_none font_line_height_1-7\"><div class=\"nectar-text-inline-images__inner\">\n<p data-start=\"376\" data-end=\"404\"><strong data-start=\"376\" data-end=\"402\">Exposi\u00e7\u00f5es Individuais<\/strong><\/p>\n<ul data-start=\"405\" data-end=\"456\">\n<li data-start=\"405\" data-end=\"456\">\n<p data-start=\"407\" data-end=\"456\">2024: <em>Descartes LAV<\/em>, Casa de Gigante, Portugal.<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"458\" data-end=\"484\"><strong data-start=\"458\" data-end=\"482\">Exposi\u00e7\u00f5es Coletivas<\/strong><\/p>\n<ul>\n<li data-start=\"458\" data-end=\"484\">2026: Hilos de la Periferia, Sede Universitaria Ciudad de Alicante, Espanha.<\/li>\n<li data-start=\"458\" data-end=\"484\">2026: MATASSA, C\u00f3rtex Frontal e C\u00e2mara Municipal de Beja, Portugal.<\/li>\n<li data-start=\"485\" data-end=\"553\">\n<p data-start=\"487\" data-end=\"553\">2025: <em data-start=\"493\" data-end=\"538\">Weave the Wave: Material Agencies in Motion<\/em>, Eslov\u00e1quia.<\/p>\n<\/li>\n<li data-start=\"554\" data-end=\"648\">\n<p data-start=\"556\" data-end=\"648\">2025: III Sal\u00e3o de V\u00eddeo-Arte T\u00eaxtil, Centro Argentino de Arte T\u00eaxtil, Argentina (men\u00e7\u00e3o).<\/p>\n<\/li>\n<li>2025: ISEA \u2013 30th International Symposium on Electronic\/Emerging Art, Coreia do Sul.<\/li>\n<li data-start=\"649\" data-end=\"726\">\n<p data-start=\"651\" data-end=\"726\">2024: 17\u00aa edi\u00e7\u00e3o do PROYECTOR, Madrid, Espanha.<\/p>\n<\/li>\n<li data-start=\"837\" data-end=\"924\">\n<p data-start=\"839\" data-end=\"924\">2024: 15\u00aa Convoca\u00e7\u00e3o Bienal de Artes Visuais <em data-start=\"884\" data-end=\"902\">mulier, mulieris<\/em>, Alicante, Espanha.<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"1108\" data-end=\"1137\"><strong data-start=\"1108\" data-end=\"1135\">Resid\u00eancias e Programas<\/strong><\/p>\n<ul data-start=\"1138\" data-end=\"1556\">\n<li data-start=\"1138\" data-end=\"1202\">\n<p data-start=\"1140\" data-end=\"1202\">2025: UNIDEE Residency Program: <em data-start=\"1172\" data-end=\"1191\">Languages, Please<\/em>, It\u00e1lia.<\/p>\n<\/li>\n<li data-start=\"1203\" data-end=\"1315\">\n<p data-start=\"1205\" data-end=\"1315\">2025: 11 Resid\u00eancias de Cria\u00e7\u00e3o e Pesquisa Art\u00edstica, MUA, Espanha. Exposi\u00e7\u00e3o derivada na Sala Sempere, MUA.<\/p>\n<\/li>\n<li data-start=\"1316\" data-end=\"1492\">\n<p data-start=\"1318\" data-end=\"1492\">2025: Resid\u00eancia VAPORES, Viveiro Art\u00edstico de Produ\u00e7\u00e3o e Observat\u00f3rio de Rios, Espanha. Exposi\u00e7\u00e3o derivada na Casa de Cultura El Campello e Las Cigarreras Centro Cultural.<\/p>\n<\/li>\n<li data-start=\"1493\" data-end=\"1556\">\n<p data-start=\"1495\" data-end=\"1556\">2024: <em data-start=\"1501\" data-end=\"1532\">Hypertextile \u2013 C\u00f3rtex Frontal<\/em>, Arraiolos, Portugal.<\/p>\n<\/li>\n<li>2023: <em data-start=\"933\" data-end=\"940\">Input<\/em>, (S8) Mostra de Cinema Perif\u00e9rico, A Coru\u00f1a, Espanha.<\/li>\n<\/ul>\n<p data-start=\"1558\" data-end=\"1607\"><strong data-start=\"1558\" data-end=\"1605\">Festivais \/ Semin\u00e1rios \/ Sele\u00e7\u00f5es de Cinema<\/strong><\/p>\n<ul>\n<li data-start=\"1558\" data-end=\"1607\">2026: Tramar el Algoritmo. Transferir disciplinas. Conversa com a engenheira e investigadora Ester Mart\u00ednez (UA) e a redACTS. Centro Cultural Las Cigarreras. Espanha.<\/li>\n<li>2025: Trapitos Fashion films screening, Haia, Pa\u00edses Baixos.<\/li>\n<\/ul>\n<ul data-start=\"1608\" data-end=\"2121\">\n<li data-start=\"1716\" data-end=\"1805\">\n<p data-start=\"1718\" data-end=\"1805\">2024: 30.\u00ba Festival Jovens Realizadores \u2013 Granada Film Fest, Espanha.<\/p>\n<\/li>\n<li>2024: (S8) Mostra Internacional de Cinema Perif\u00e9rico \u2013 se\u00e7\u00e3o <em data-start=\"790\" data-end=\"798\">Sinais<\/em>, A Coru\u00f1a, Espanha.<\/li>\n<li data-start=\"1806\" data-end=\"1935\">\n<p data-start=\"1808\" data-end=\"1935\">2023: Participa\u00e7\u00e3o como artista convidada no Semin\u00e1rio Internacional de Cinema Documental <em data-start=\"1898\" data-end=\"1913\">Doc\u2019s Kingdom<\/em>, Odemira, Portugal.<\/p>\n<\/li>\n<li>2023: Festival Punto y Raya, Lisboa, Portugal.<\/li>\n<li data-start=\"1936\" data-end=\"2033\">\n<p data-start=\"1938\" data-end=\"2033\">2022: Semana Internacional de Cinema de Valladolid (Seminci), Espanha.<\/p>\n<\/li>\n<li data-start=\"2034\" data-end=\"2121\">\n<p data-start=\"2036\" data-end=\"2121\">2021: Porto\/Post\/Doc, Portugal, com o filme <em data-start=\"2080\" data-end=\"2088\">Calada<\/em> (longa-metragem, grupo ARCH\u00c9).<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"2123\" data-end=\"2154\"><strong data-start=\"2123\" data-end=\"2152\">Pr\u00e9mios e Reconhecimentos<\/strong><\/p>\n<ul data-start=\"2155\" data-end=\"2246\">\n<li data-start=\"2155\" data-end=\"2246\">\n<p data-start=\"2157\" data-end=\"2246\">2021: Primeiro pr\u00e9mio, <em data-start=\"2180\" data-end=\"2200\">Versiona Thyssen X<\/em>, Museu Thyssen-Bornemisza, Madrid, Espanha.<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"2248\" data-end=\"2289\"><strong data-start=\"2248\" data-end=\"2287\">Projetos \/ Performances \/ Curadoria<\/strong><\/p>\n<ul data-start=\"2290\" data-end=\"2665\">\n<li data-start=\"2290\" data-end=\"2395\">\n<p data-start=\"2292\" data-end=\"2395\">2023: Performance t\u00eaxtil e musical <em data-start=\"2327\" data-end=\"2345\">C\u00f3digos f\u00edlmicos<\/em>, <em data-start=\"2347\" data-end=\"2366\">Encuadres LAV #03<\/em>, Cineteca Madrid, Espanha.<\/p>\n<\/li>\n<li data-start=\"2396\" data-end=\"2481\">\n<p data-start=\"2398\" data-end=\"2481\">2023: Proje\u00e7\u00e3o de <em data-start=\"2416\" data-end=\"2431\">Tecer l\u00ednguas<\/em>, <em data-start=\"2433\" data-end=\"2452\">Encuadres LAV #02<\/em>, Cineteca Madrid, Espanha.<\/p>\n<\/li>\n<li data-start=\"2482\" data-end=\"2583\">\n<p data-start=\"2484\" data-end=\"2583\">2023: Curadoria <em data-start=\"2500\" data-end=\"2523\">Coreograf\u00edas Celestes<\/em>, Proje\u00e7\u00e3o 16mm, C\u00edrculo de Bellas Artes, Madrid, Espanha.<\/p>\n<\/li>\n<li data-start=\"2584\" data-end=\"2665\">\n<p data-start=\"2586\" data-end=\"2665\">2023: Publica\u00e7\u00e3o do conto\/livro t\u00eaxtil <em data-start=\"2625\" data-end=\"2633\">Met\u00e1xi<\/em>, plataforma Urdume.e, Brasil.<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"2667\" data-end=\"2696\"><strong data-start=\"2667\" data-end=\"2694\">Cat\u00e1logos \/ Publica\u00e7\u00f5es<\/strong><\/p>\n<ul data-start=\"2697\" data-end=\"3184\">\n<li data-start=\"2697\" data-end=\"2873\">\n<p data-start=\"2699\" data-end=\"2873\">2025: <em data-start=\"2705\" data-end=\"2757\">11 Resid\u00e8ncies de Creaci\u00f3 i Investigaci\u00f3 Art\u00edstica<\/em>, Museo de la Universidad de Alicante (MUA), Espanha. ISBN: 979-13-990194-4-5.<\/p>\n<\/li>\n<li data-start=\"2874\" data-end=\"3017\">\n<p data-start=\"2876\" data-end=\"3017\">2024: 15\u00aa Convoca\u00e7\u00e3o Bienal de Artes Visuais <em data-start=\"2921\" data-end=\"2939\">mulier, mulieris<\/em>, Museo de la Universidad de Alicante (MUA), Espanha. ISBN: 978-84-126694-4-2.<\/p>\n<\/li>\n<li data-start=\"3018\" data-end=\"3184\">\n<p data-start=\"3020\" data-end=\"3184\">2018: <em data-start=\"3026\" data-end=\"3037\">Baalberit<\/em> [Recurso eletr\u00f3nico], Revista N\u00ba7, Mestrado em Arquiv\u00edstica, Universidad Carlos III de Madrid. Madrid: Universidad Carlos III, ISSN 2660-6097.<\/p>\n<\/li>\n<\/ul>\n<\/div><\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"team\"  data-column-margin=\"default\" data-midnight=\"dark\" data-bottom-percent=\"5%\"  class=\"wpb_row vc_row-fluid vc_row full-width-content vc_row-o-equal-height vc_row-flex vc_row-o-content-top  right_padding_6pct left_padding_6pct top_padding_tablet_10pct bottom_padding_tablet_10pct\"  style=\"padding-top: 0px; padding-bottom: calc(100vw * 0.05); \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-overlay=\"false\"><div class=\"inner-wrap\"><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div style=\"margin-top: 20px; \" class=\"vc_col-sm-8 wpb_column column_container vc_column_container col nectar-sticky-column-css has-animation no-extra-padding inherit_tablet inherit_phone \"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"fade-in-from-bottom\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div class=\"nectar-text-inline-images nectar-link-underline-effect font_size_desktop_1-2vw nectar-text-inline-images--animation_none font_line_height_1-7\"><div class=\"nectar-text-inline-images__inner\"><strong>Forma\u00e7\u00e3o:<\/strong><\/p>\n<p>&#8211; Master LAV: Laboratorio Audiovisual de Creacio\u0301n y Pra\u0301ctica Contempora\u0301nea (Madrid).<\/p>\n<p>&#8211; Master pr\u00f3prio em archiv\u00edstica (Universidad Carlos III de Madrid).<\/p>\n<p>&#8211; Curso de arquivos e direitos humanos (Universidad Aut\u00f3noma de Barcelona).<\/p>\n<p>&#8211; Licenciatura em direito (Universidade de Coimbra).<\/div><\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"fws_69e635b3cf49b\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-overlay=\"false\"><div class=\"inner-wrap\"><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone \"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Beatriz Freire (Portugal) artista visual e t\u00eaxtil. A minha pr\u00e1tica art\u00edstica nasce da dificuldade de compreender e expressar o mundo apenas com palavras. Embora a escrita continue a ser uma...","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-523","page","type-page","status-publish"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/beatriz-freire.com\/en\/wp-json\/wp\/v2\/pages\/523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beatriz-freire.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/beatriz-freire.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/beatriz-freire.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/beatriz-freire.com\/en\/wp-json\/wp\/v2\/comments?post=523"}],"version-history":[{"count":67,"href":"https:\/\/beatriz-freire.com\/en\/wp-json\/wp\/v2\/pages\/523\/revisions"}],"predecessor-version":[{"id":1575,"href":"https:\/\/beatriz-freire.com\/en\/wp-json\/wp\/v2\/pages\/523\/revisions\/1575"}],"wp:attachment":[{"href":"https:\/\/beatriz-freire.com\/en\/wp-json\/wp\/v2\/media?parent=523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}